The album’s highlights are its most culturally ambiguous selections, like “One Life to Live”, which mixes rhumba and reggaeton rhythms, and “Sommet En Sommet”, a dense, three-against-four shuffle influenced partially by Guinean music. The driving polyrhythms of Nigerian folk music that marked their earlier work are set aside in favor of more laid-back percussion indigenous to the Americas. ![]() Much of Inner Fire consists of intricately arranged, harmonically adventurous Afro-Latin jazz this sound, when paired with the lush piano and vibraphone backgrounds Chrétien favors, creates resonances with Mulatu Astatke’s Ethio-jazz. Under his direction, SJO patch together swatches of North American, African, and Latin styles to create hybrids that resist easy categorization. The program is once again curated by composer and bandleader Pierre Chrétien, who brings a crate-digger’s thirst for obscure and offbeat musical idioms. ![]() On Inner Fire, the Ottawa collective sounds different. In the mid-2000s, Souljazz Orchestra emerged playing West African funk and highlife rife with propulsive horn hooks, blown-out keyboards, and call-and-response refrains full of political fervor.
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